One thing I noticed is that, in "Raging Bull," "Mean Streets," "Goodfellas" and "Casino," the pop music soundtrack uses recordings that were popular in the eras depicted in the films. But in "The Irishman," the songs are all over the place, timewise.
True enough TB, But I loved it just the same, Johnny Ray's Cry especially although it was a decade too late (It's lyrics weren't too far off the message that Bufalino wanted Dorfman to get). Of course, In the Still of the night (again, several decades too late) was pure genius; its lryics were appropriately nostalgic.
