You write that the Mob has become a "perennial favorite theme for the entertainment industry." How has this helped them in the modern age?

There are an immense amount of mafia groupies. There's a perverse aspect to this because it gets kids and young people interested in this feeling that [Mafia members] lives are glamorous and a way of beating the system. Hollywood and TV don't dismiss them as venal or pernicious. I think for very vulnerable people you get this vicarious kick that there's something to this life. Part of it comes from this anti-establishment thing. John Gotti personified this, that by being anti-establishment, anti-government you could somehow succeed in life and be envied. Look at Gotti's grandson's wedding last year; he collected two million dollars and the place was swamped with people giving him gifts. [The entertainment industry] turns these people into icons and interesting characters who are anti-society. It doesn't make them look like they're token bad guys.

A great example was Sammy "The Bull" Gravano; when he saw The Godfather he was in his late teens and he said it made him feel proud to be an Italian and to join the Mafia. And that movie is repeated endlessly. What The Godfather also does is establish that there is good mafia and bad mafia by essentially showing a white hat mafia that was opposed to the introduction of narcotics, which was a total lie and mischaracterization. But the point was there were still Mafiosi who were doing good work, and that there were traditions that were virtuous. This helps them.