Since it seems the sort that TCM would show, I'll chip in here:

Just watched Key Largo (1948/Huston). Great; how many actors can Huston cram into one frame? Brilliant - talk about immersive, impressive and symbolic composition. It'd be interesting to watch again just to see who is where in each of the frames, and their relationships to one another. Bogart plays second fiddle to Edward G. Robinson, but then so does everyone - Robinson's always brilliant, and if Claude Rains was able to delight and compliment Bogey in Casablanca, Robinson tends to overpower him here (effectively and deliberately so); for more subtle, complimentary performances, check him out in Wilder's masterpiece (and with it, the best film of the 1940s), Double Indemnity.