I think I might have mentioned it before, but far more interesting than the Sonny/Vincent parallel storyline would be a look at how and why Michael changed between Parts II and III.

Of course, this would be nigh on impossible from an artistic point of view (but then, who could have thought Part II could out-do Part I?), but it makes for a fascinating hypothesis.

You could be far more inventive coming up with a script for Part IV using the Sonny and Vincent idea, but the period between 1959 and 1979 needs to be insanely complex, mature and sophisticated. It would perhaps need to be better then the Part II script to be as successful, given what it has to acheive.

[ February 03, 2002: Message edited by: persiangodfather ]