Originally posted by Capo de La Cosa Nostra: here we have a well-handled thriller with several effective sequences, but the whole is marred by its catering for Western audiences, who seemingly can't handle the original's subtlety, ambiguity or subtitles
would you mind to elaborate this, Mick? Where exactly do you see the film is "catering for Western audiences"?
I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell the truth. I tell what ought to be truth (Blanche/A streetcar named desire)
