Glad you liked it (overall), JG!

The timeline is, however, chronological, unlike Pulp Fiction and Memento. And I think the reason why these time jumps were only referred to through (crass?) dialogue is Marber, the scriptwriter, adapted his own stageplay, and I guess wanted to keep to its origins. Director Nichols perhaps didn't want to overrule proceedings.

Mick


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Discussing whether or not the Brother is hardcore?