Pi ** (1st Time)
1997, Aronofsky, US
In searching for a sequence which will explain the universe, a mathematical genius becomes increasingly paranoid.
Original thriller with an overwhelming visual style; less about explaining itself than exploring obsessive paranoia within a society with which one feels increasingly at odds.

Fanny and Alexander [300-minute version] **** (1st Time)
1982, Bergman, Swe/Fr/WGer
In 1907, a well-to-do Uppsala family celebrates Christmas. Soon after, one of the sons die, and his family fall apart when a puritan Bishop marries the widow.
A 300 minute tour de force of directing, cinematography and production design, with Bergman revisiting all of his major themes of past work for an absolutely majestic piece of period filmmaking.
#39

In the Mood For Love *** (1st Time)
2000, Kar-wai, HK
In 1960s Hong Kong, two lonely neighbours, both in redundant marriages, fall in love but manage to restrain their passions.
A visual triumph that seems more in love with cinema and its language than the relationship it depicts. Inspiring to look at, and with a strong sense of regretful nostalgia to its tone.

Mick