Nolan doesn't treat Inception nearly half as seriously as he does his Batman material, and his films are always brilliantly edited with a strong sense of urgency - in this aspect, his latest effort is up there with The Prestige, and though Inception isn't as narratively rich as that film - its Chinese-box structure is entirely linear - there's still an exhilarating sense of rhythm via parallel juxtaposition here.
The acting's terrific.
...dot com bold typeface rhetoric. You go clickety click and get your head split. 'The hell you look like on a message board Discussing whether or not the Brother is hardcore?
