Someone said on FCM a while ago that the definition of a perfect film might be that if you were to take anything away or add anything, it would lose its impact.

That means every omission, and every inclusion, must be justified and motivated. A film has to be "note perfect", and if we are to apply that to a music album, you get the same thing.

...dot com bold typeface rhetoric.
You go clickety click and get your head split.
'The hell you look like on a message board
Discussing whether or not the Brother is hardcore?