How can cinematography be "technically perfect", though? As long as any camera set-up captures what it is meant to film, that to me is pretty much perfect. In that sense, if we were to discard emotional connections from the whole process, I can't see how the cinematography of The Godfather could be objectively proven to be more perfect than that of Bad Taste. One is meant to have a period look and succeeds, the other is meant to look cheap and is. So which one's better, all emotions aside?