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Re: What is the most powerful image/scene in the trilogy? #29203
06/23/05 09:56 AM
06/23/05 09:56 AM
Joined: Nov 2004
Posts: 2,735
Lavinia from Italy Offline
Underboss
Lavinia from Italy  Offline
Underboss
Joined: Nov 2004
Posts: 2,735
Quote
Originally posted by leigh:
The audiene has been allowed to enter Michael's world. The only one left in the dark is Kay. For that reason I find it beautiful. [/QB]
great, powerful superb scene, I agree. It marks the beginning of Michael's empire as a Don and the end of his affective life. Closing that door, Michael makes a choice. A choice that he will pay later. Actually, I'm not completely sure he had a real chance to choose not to be a Don. But this is another topic. wink


I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell the truth. I tell what ought to be truth (Blanche/A streetcar named desire)
Re: What is the most powerful image/scene in the trilogy? #29204
06/23/05 01:42 PM
06/23/05 01:42 PM
Joined: Jun 2005
Posts: 17
New York
leigh Offline
Wiseguy
leigh  Offline
Wiseguy
Joined: Jun 2005
Posts: 17
New York
Quote
I'm not completely sure he had a real chance to choose not to be a Don. But this is another topic. wink [/QB]
He really didn't have much of a choice, but he realized that before the end of the movie.

Re: What is the most powerful image/scene in the trilogy? #29205
06/28/05 03:42 PM
06/28/05 03:42 PM
Joined: Jun 2003
Posts: 19
NYC
Donfanucci Offline
Wiseguy
Donfanucci  Offline
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Joined: Jun 2003
Posts: 19
NYC
For me it has to be that when Mary gets shot and Michael is screaming. Kay gives him this look like yeah you really protected your family.


You've got balls, young man! How come I never heard of you before? You've got a lot of guts. I'll find you some work for good money.
Re: What is the most powerful image/scene in the trilogy? #29206
07/06/05 12:54 AM
07/06/05 12:54 AM
Joined: Jul 2005
Posts: 14
New Hampshire
Santino's Girl Offline
Wiseguy
Santino's Girl  Offline
Wiseguy
Joined: Jul 2005
Posts: 14
New Hampshire
Call me crazy if you want, but I love the opening of the first movie. Bonasera is there...asking for justice. And there's Vito....the big, tough Don petting a kitty. I think that scene tells you a lot about what kind of man Vito is. Tough? Sure. But also kind and compassionate and capable of a great amount of gentleness.

I also love the scene where Sonny pounds the daylights out of Carlo for beating on Connie. "If you ever touch my sister again, I'll kill you." Brotherly love is a wonderful thing.


Leave the gun. Take the cannoli.
Re: What is the most powerful image/scene in the trilogy? #29207
07/06/05 04:19 AM
07/06/05 04:19 AM
Joined: Sep 2004
Posts: 44,945
DE NIRO Offline
DE NIRO  Offline

Joined: Sep 2004
Posts: 44,945
Quote
Originally posted by Santino's Girl:

I also love the scene where Sonny pounds the daylights out of Carlo for beating on Connie. "If you ever touch my sister again, I'll kill you." Brotherly love is a wonderful thing.
Its the way he says it as well,he so out of breath he like stutters when he says it,i always chuckle when that scene passers smile


The Mafia Is Not Primarily An Organisation Of Murderers.
First And Foremost,The Mafia Is Made Up Of Thieves.
It Is Driven By Greed And Controlled By Fear.

Between The Law And The Mafia, The Law Is Not The Most To Be Feared

"What if the Mafia were not an organization but a widespread Sicilian attitude of hostility towards the law?"

"Make Love Not War" John Lennon
Re: What is the most powerful image/scene in the trilogy? #29208
07/06/05 02:10 PM
07/06/05 02:10 PM
Joined: Apr 2005
Posts: 1,211
Little Chicago
Tony Love Offline
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Tony Love  Offline
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Joined: Apr 2005
Posts: 1,211
Little Chicago
Quote
Originally posted by Donfanucci:
Kay gives him this look like yeah you really protected your family.
I had never thought of things that way. Do you think that is what Kay was thinking?


"Any American who is prepared to run for president should automatically, by definition, be disqualified from ever doing so"-Gore Vidal
"Conformity is the jailer of freedom and enemy of growth"-John Fitzgerald Kennedy
"The reason the mainstream is thought of as a stream is because of its shallowness"-George Carlin
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