Originally posted by Don Vercetti:
Plaw, what do you mainly think of Blood Simple, Miller's Crossing, and The Man Who Wasn't There?
Blood Simple is, of course, the brothers first collaboration, and while it's not equal to much of their later stuff I think it works very well as a modern day version/tribute to
film noire.The acting is good, and the plot has a few nice twists.
Miller's Crossing, I think, is arguably (along with
Fargo) their best film. There most certainly
is a plot, and a good one, and it's populated with the usual assortment of off-beat Coen Bros. characters and some very memorable scenes and lines.
The plot revolves around the struggle for power between the Irish crime boss and an Italian upstart in an un-named city during roughly the same time frame as
Road To Perdition. In fact, many of the costumes and sets bear a striking resemblance to the the latter.
The film has everything: Drama, violence, romance, and a healthy dose of comedy.
Watch for terrific performances by Jon Polito as the Italian crime boss, J.E. Freeman as Eddie Dane (Polito's "Luca Brasi"), and John Turturro as the Jewish bookmaker who is the catalyst for the whole plot.
It stars Gabriel Byrne, playing the role of Tom Regan, the "consigliere" to the Irish Boss (Is the name "Tom Regan" a tribute to another Irish consig who we know from another great gangster film?)
But it's Freeman, as "The Dane", with many of the show-stealing scenes, and one of my favorite lines in all of cinema.
Poito's Irish rival (Leo, played by Albert Finney)) sends a hitman to try and take care of The Dane, but Eddie gets the drop on him. He points a gun at the guy and asks....
"Where's Leo?"
Hitman: "If I tell you, how do I know you won't kill me?"
Eddie Dane: "Because if you told me and I killed you and I found out you were lying, I wouldn't get to kill you then."
A great gangster film, which after the GF Trilogy I rate right up there with
Goodfellas, Casino, Donnie Brasco, Scarface, Carlito's Way, Bronx Tale and
Road to Perdition.
Don't miss it.
The Man Who Wasn't There is really meant to be a
film noire satire, I believe.
It's shot in B & W, and while the humor isn't the LOL kind, I find it to be quite funny on several different levels.
Watch for Tony Shaloub, who practically steals the picture as a criminal defense attorney.
While it's not as good or as rich as, say,
Fargo or
Miller's Crossing, and certainly not an example of
great filmmaking, it is nevertheless
extremely enjoyable, vastly under-rated IMO, and highly recommended.